蕭蘋

Ping Shaw

：#MeToo 運動、表演、後女性主義、後眞相、論述行動主義

#MeToo movement, performances, postfeminism, post-truth, discursive activism

在此時刻，檢視 #MeToo 運動中的「眞相」建構方式及其背後交
錯的力量，有助於瞭解這些女性性騷擾與性侵害經驗的公開陳訴，是
否以及如何干擾了後眞相時代的主流敍事？本研究選取發生在2023
年6 月的「大牙vs 黑人」事件，進行個案分析。結果發現，在此個案
中，女性在社群媒介上所做的政治性發聲，未必都會被公平的傾聽。
在後眞相的時代，女性和其他邊緣化團體一樣，被建構為「可疑的主
體」，她們所揭露的眞相總是被懷疑、詰問和受到挑戰。而為了爭取「可
信」，這些為受害而發聲的女性必須付出情感、心理等各種勞動，並進
行各種的「表演」。

The emergence of the #MeToo movement coincided with a conjuncture
of posttruth and postfeminist media cultures. At this moment, examining the
construction of “truth” in the #MeToo movement and the intersecting
powers behind it can help understand whether and how the public testimony
of women’s experiences of sexual harassment and assault have disrupted the
mainstream narrative of the posttruth era. This study selected the “Big Tooth
vs. Blackie” incident, which occurred in June 2023, as a case study. In this
case, women’s political voices raised on social media were not necessarily
heard fairly. In the posttruth era, women, similar to other marginalized
groups, are constructed as “doubtful subjects,” and the truths they disclose
are always questioned, scrutinized, and challenged. To gain “credibility,”
these women, who speak out as victims, must perform various forms of
labor, including emotional and psychological labor, and engage in various
performances.