楊石華

Shi-Hua Yang

交互性、印刷文化、物質性、書寫方式、媒介化配置

interactivity, printing culture, materiality, writing style, media configuration

《紙還有未來嗎？：一部印刷文化史》以關鍵詞的形式和交互的方法為讀者提供了一份關於18、19世紀的西方印刷文化史知識地圖。「組論小組」基於交互概念的創新視角與方法對18個關鍵詞進行了細緻地研究，向讀者揭示了三種不同類型的印刷交互實踐。該書對中國印刷文化史研究者的啟示是，研究者需要重視印刷實踐中作為交互基礎的物質性、聚焦微觀視角下的本土印刷交互實踐、關注印刷域中的媒介化配置。

Interacting with Print: Elements of Reading in the Era of Print Saturation provides readers with a knowledge map of Western printing culture in the 18th and 19th centuries through keywords and interactive methods. The Multigraph Collective presents a detailed study of 18 keywords, revealing the interaction between people and printed matter, the interaction between printed matter and nonprinted matter, and the practice of interpersonal interaction in printed matter. The book suggests that researchers who study Chinese printing culture should pay attention to materiality as the basis of interaction in printing practice, focus on the interactive practice in local printing from a micro perspective, and pay attention to the media configuration in the media spheres of printing.